HOMENAJES


Johann Sebastian Bach
(Germany, 1685 – 1750)
Ciaccona BWV 1004

 

Manuel de Falla
(Spain, 1876 – 1946)
Homenaje „Pour le Tombeau de Debussy“

 

Francisco Tárrega
(Spain, 1852 – 1909)
– Preludio 1
– Endecha
– Oremus
– Preludio 11
– Capricho Árabe

(*** Pause)

Joaquín Turina
(Spain, 1882 – 1949)
Homenaje a Tárrega
– Garrotín
– Soleares
Heitor Villa-Lobos
(Brazil, 1887 – 1959)
Prélude N° 3
Roland Dyens
(Tunisia, 1955 – 2016)
Hommage a Villa-Lobos
– Climazonie
– Danse Caractérielle et Bachianinha
– Andantinostalgie
– Tuhũ

• 1x 80 Min. / ***2x 45 Min. – Moderation Deutsch / Englisch / Spanisch

HOMENAJES

intimately … lovingly … dedicated to a special someone …

With great passion, high precision as well as acute sensitivity Nico Silva plays exclusively pieces that were specifically composed as a tribute to a particular person in loving memory.

Enriched with stories about the origin of these pieces and background knowledge about what inspired the composers to create their masterful pieces in honor of an admired or beloved person, the young master presents works composed by J. S. Bach, De Falla, Tárrega, Turina, Villa-Lobos and Dyens.

“In the well-attended concert venue “Kulturladen” in Röthenbach, Nicolás Silva Apiolaza moved the audience to tears with his guitar playing.

His passionate and masterful guitar playing thrilled the “Kulturladen” audience and made them marvel at the young musician’s giftedness and dexterity. A mesmerizing concert night at the highest level of music!”

Sonja Wolfstädter

    PROGRAM
    Johann Sebastian Bach
    (Germany, 1685 – 1750)
    Ciaccona BWV 1004

     

    Manuel de Falla
    (Spain, 1876 – 1946)
    Homenaje „Pour le Tombeau de Debussy“

     

    Francisco Tárrega
    (Spain, 1852 – 1909)
    – Preludio 1
    – Endecha
    – Oremus
    – Preludio 11
    – Capricho Árabe

    (*** Pause)

    Joaquín Turina
    (Spain, 1882 – 1949)
    Homenaje a Tárrega
    – Garrotín
    – Soleares
    Heitor Villa-Lobos
    (Brazil, 1887 – 1959)
    Prélude N° 3
    Roland Dyens
    (Tunisia, 1955 – 2016)
    Hommage a Villa-Lobos
    – Climazonie
    – Danse Caractérielle et Bachianinha
    – Andantinostalgie
    – Tuhũ

    • 1x 80 Min. / ***2x 45 Min. – Moderation Deutsch / Englisch / Spanisch

    DESCRIPTION

    HOMENAJES

    intimately … lovingly … dedicated to a special someone …

    With great passion, high precision as well as acute sensitivity Nico Silva plays exclusively pieces that were specifically composed as a tribute to a particular person in loving memory.

    Enriched with stories about the origin of these pieces and background knowledge about what inspired the composers to create their masterful pieces in honor of an admired or beloved person, the young master presents works composed by J. S. Bach, De Falla, Tárrega, Turina, Villa-Lobos and Dyens.

    “In the well-attended concert venue “Kulturladen” in Röthenbach, Nicolás Silva Apiolaza moved the audience to tears with his guitar playing.

    His passionate and masterful guitar playing thrilled the “Kulturladen” audience and made them marvel at the young musician’s giftedness and dexterity. A mesmerizing concert night at the highest level of music!”

    Sonja Wolfstädter

    ARTICLE
    BOOKING

      DOLCE PIANOFORTE


      Isaac Albéniz
      (Spain, 1860 – 1909)
       Asturias

       

      Frédéric Chopin
      (Poland, 1810 – 1849)
      Nocturne
      Op. 9 No. 2
      Enrique Granados
      (Spain, 1867 – 1916)
      Valses poéticos

      – Vivace molto
      – Melódico
      – Tempo de vals noble
      – Tempo de vals lento
      – Allegro humorístico
      – Allegretto elegante
      – Sentimental
      – Vivo
      – Presto vivace, melódico

      (*** Pause)

      Franz Schubert
      (Austria, 1797 – 1828)
      Lob der Tränen
      Claude Debussy
      (France, 1862 – 1918)
      Clair de Lune
      Franz Werthmüller
      (Austria 1769 – 1841)
      Sonate Op.17

      – Allegro
      – Lento
      – Rondo vivace

      • 1x 80 Min. / ***2x 45 Min. – Moderation Deutsch / Englisch / Spanisch

      DOLCE PIANOFORTE

      Brilliant piano literature… 88 keys on 6 strings!

      Full of romantic spirit, Nico Silva brings this concerto from a distant era to the stages of today. Since some of the greatest composers did not create their pieces for the guitar, he ventured to transcribe true diamonds of the piano repertoire for his instrument.

      This program effortlessly brings a desperate Parisian love story, a fading cloud of smoke in Vienna or the steam pouring out of a departing ship at the Barceloneta to life just by its sounds, spirit, and ambience.

      With works by Albéniz, Chopin, Granados, Schubert, Debussy and Werthmüller, the young master reveals the raw and unfiltered ability of the guitar, intimate as well as monumental worlds of music, as it once was in the Romantic era.

      “There is no limit of his passion for the guitar”

      Diario El Mercurio

        PROGRAM
        Isaac Albéniz
        (Spain, 1860 – 1909)
         Asturias

         

        Frédéric Chopin
        (Poland, 1810 – 1849)
        Nocturne
        Op. 9 No. 2
        Enrique Granados
        (Spain, 1867 – 1916)
        Valses poéticos

        – Vivace molto
        – Melódico
        – Tempo de vals noble
        – Tempo de vals lento
        – Allegro humorístico
        – Allegretto elegante
        – Sentimental
        – Vivo
        – Presto vivace, melódico

        (*** Pause)

        Franz Schubert
        (Austria, 1797 – 1828)
        Lob der Tränen
        Claude Debussy
        (France, 1862 – 1918)
        Clair de Lune
        Franz Werthmüller
        (Austria 1769 – 1841)
        Sonate Op.17

        – Allegro
        – Lento
        – Rondo vivace

        • 1x 80 Min. / ***2x 45 Min. – Moderation Deutsch / Englisch / Spanisch

        DESCRPTION

        DOLCE PIANOFORTE

        Brilliant piano literature… 88 keys on 6 strings!

        Full of romantic spirit, Nico Silva brings this concerto from a distant era to the stages of today. Since some of the greatest composers did not create their pieces for the guitar, he ventured to transcribe true diamonds of the piano repertoire for his instrument.

        This program effortlessly brings a desperate Parisian love story, a fading cloud of smoke in Vienna or the steam pouring out of a departing ship at the Barceloneta to life just by its sounds, spirit, and ambience.

        With works by Albéniz, Chopin, Granados, Schubert, Debussy and Werthmüller, the young master reveals the raw and unfiltered ability of the guitar, intimate as well as monumental worlds of music, as it once was in the Romantic era.

        “There is no limit of his passion for the guitar”

        Diario El Mercurio

        ARTICLE
        BOOKING